{"id":920,"date":"2017-10-10T14:29:49","date_gmt":"2017-10-10T18:29:49","guid":{"rendered":"http:\/\/simonbellefleur.net\/?p=920"},"modified":"2017-10-10T14:29:49","modified_gmt":"2017-10-10T18:29:49","slug":"la-zone-au-fnc","status":"publish","type":"post","link":"https:\/\/simonbellefleur.net\/en\/the-zone-at-the-fnc\/","title":{"rendered":"The ZONE at the FNC"},"content":{"rendered":"<p>I had a great pleasure working on this enigmatic experimental movie with Denys Desjardins.<\/p>\n<p><b>An unusual film dedicated to the maker of\u00a0<i>La Jet\u00e9e<\/i>, the most legendary of unknown filmmakers.\u00a0<\/b>With his experimental, evocative, poetic documentaries, Chris Marker (1921-2012) was one of the true innovators of the cinematic essay. A \u201cMarker mystery\u201d obsessive, Syned Sindrajed has made an enigmatic film in which a woman explores the nooks and crannies of her own memory, where she finds none other than the mysterious director. An inspired tribute, filmed around the world.<\/p>\n<p>&nbsp;<\/p>\n<p>https:\/\/vimeo.com\/188816595<\/p>","protected":false},"excerpt":{"rendered":"<p>I had a great pleasure working on this enigmatic experimental movie with Denys Desjardins. An unusual film dedicated to the maker of\u00a0La Jet\u00e9e, the most legendary of unknown filmmakers.\u00a0With his\u2026 <span class=\"read-btn\"><a class=\"read-more\" href=\"https:\/\/simonbellefleur.net\/en\/the-zone-at-the-fnc\/\">Read More &rarr;<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":922,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-920","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/simonbellefleur.net\/wp-content\/uploads\/2017\/10\/13653291_1466553293362212_8727271124409237648_o.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/posts\/920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/comments?post=920"}],"version-history":[{"count":1,"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/posts\/920\/revisions"}],"predecessor-version":[{"id":923,"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/posts\/920\/revisions\/923"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/media\/922"}],"wp:attachment":[{"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/media?parent=920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/categories?post=920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/simonbellefleur.net\/en\/wp-json\/wp\/v2\/tags?post=920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}