La grande histoire!

Le Château en primeur au RVCQ

Ensemble at the RIDM

It was a unique pleasure and privilege to do the sound recording of this faboulous  project.

All dressed in black and impeccably synchronized, we know them as an anonymous collective. So who are the men and women of the Orchestre Métropolitain de Montréal? Jean-Nicolas Orhon filmed the orchestra’s members for a year while they prepared for their first European tour, led by conductor Yannick Nézet-Séguin. The filmmaker melts into the background, observing their rehearsals, interaction and incredibly precise work as closely as possible. Documenting the adventure becomes a way to create more nuanced portraits of the artists and the passion they share. An original and patient look behind the scenes, revealing the intense work that goes into perfectly harmonious concerts performed with apparent ease.

Tickets here

The ZONE at the FNC

I had a great pleasure working on this enigmatic experimental movie with Denys Desjardins.

An unusual film dedicated to the maker of La Jetée, the most legendary of unknown filmmakers. With his experimental, evocative, poetic documentaries, Chris Marker (1921-2012) was one of the true innovators of the cinematic essay. A “Marker mystery” obsessive, Syned Sindrajed has made an enigmatic film in which a woman explores the nooks and crannies of her own memory, where she finds none other than the mysterious director. An inspired tribute, filmed around the world.

 

50 best soundtracks / sound designs of all time

I chose these films for the beauty of their sound design, their score or for their historic importance for Cinematic sound. Sometimes all these aspects are great in the same film. Presented in chronological order.

  1. Orphée, 1950, Jean Cocteau
  2. Jacques Tati, tous ses films, -1953
  3. Un ascenseur pour l’échafaud, 1958, Louis Malle
  4. Psycho, 1960, Alfred Hitchock
  5. Breakfast at Tiifanys, 1961, Blake Edwards
  6. Zorba the Greek,1964, Michael Cacoyannis
  7. The Graduate, 1967, Mike Nichols
  8. In Cold Blood, 1967, Richard Brooks
  9. Il était une fois dans l’ouest, 1968, Sergio Leone
  10. 2001 A Space Oddissey, 1968, Stanley Kubrick
  11. The Godfather I et II , -1972, Francis Ford Coppola
  12. American Graffiti, 1973, Geoges Lucas
  13. The Exorcist, 1973, Wiliam Friedkin
  14. Chinatown, 1974, Roman Polanski
  15. Star Wars, 1977- tous les films
  16. Ereaserhead,1977, David Lynch
  17. Apocalypse Now, 1979, Francis Ford Coppola
  18. Secret Conversation, 1979, Francis Ford Coppola
  19. Alien, 1979, Riddley Scott
  20. Stalker, 1979, Tarkovsky
  21. Raging Bull, 1980, Martin Scorcese
  22. Les Plouffes, 1981, Gilles Carle
  23. Das Boot, 1981, Wolfgang Petersen
  24. Blow Out, 1981, Brian da Palma
  25. Blade Runner, 1982, Ridley Scott
  26. Koyaniskatsi, 1982, Godfrey Reggio
  27. Amadeus, 1984, Miloš Forman
  28. Les ailes du désir, 1987, Wim Wenders
  29. Le temps des Gitans, 1988, Emir Kusturica
  30. Delicatessen, 1991, Marc Caro et Jean-Pierre Jeunet
  31. Leolo, Jean-Claude Lauzon, 1992
  32. Latcho Drom, 1993, Tony Gatliff
  33. Jurassic Park, 1993, Steven Spielberg
  34. Saving Private Ryan, 1998, Steven Spielberg,
  35. The Matrix, 1999, Lana Wachowski, Andy Wachowski
  36. In the Mood for Love, Wong Kar-Wai
  37. Requiem for a dream, 2000, Darren Aronofsky
  38. Hable con Ella, 2002, Pedro Almodovar
  39. Les triplettes de Belleville, 2003, Sylvain Chomet
  40. The Lord of the Rings: The Return of the King, 2003, Peter Jackson
  41. Les choristes, 2004, Christophe Barratier
  42. Wall-E, 2008, Andrew Stanton
  43. Up, 2009, Pete Docter, Bob Peterson
  44. Intersellar, 2014, Christopher Nolan
  45. The Imitation Game, 2014, Morten Tyldum
  46. Whiplash, 2014, Damien Chazelle
  47. The Revenant, 2016,
  48. Arrival, 2016, Denis Villeneuve

 

FIFA 2016

2 films for which I did the music will be screen at the FIFA 2016. One is Reverence of Jean-Nicolas Orhon and the other is La Maison et la tortue of Jo Légaré. For creating the music of Jean-Nicolas’s film, I used samples of Monarqs straching the soot on a plate.

The process of creating a work that combines art and science. Steven Spazuk and Danielle Delhaes collected thousands of traces of monarch butterflies in their natural habitat using soot on cardboard. The film follows the trail of these endangered insects from Mexico to Quebec. The pixels have been cut and assembled into a unique image that makes us aware of the precariousness of animal and plant life.

Forces Tranquilles at the RVCQ

Forces Tranquilles, is a short documentary, produced by the NFB, for which I did the music for, scoring mainly a post-rock ambiant track and a military inspired melody played by the flutist Marie-Hélène Breault.  It will be presented this sunday at the RVCQ. To read the blog of the director Sophie Dupuis, follow this link (french only).

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The War of the Blueberries

La guerre

The War of the Blueberries is a drama-comedy set in the lush rolling landscape of East Canada. The movie tells the story of Eva, a vigorous woman in her seventies, leading a simple and peaceful life in her native countryside, until the day a new neighbor arrives. For years, Eva has been happily gathering blueberries in her secret patch. Her tasty blueberry upside-down cakes have become her pride. The arrival of Gabrielle, her young new neighbor from the city, is disrupting Eva’s daily life when Gabrielle sets up a blueberry stand, unknowingly stealing the blueberries from Eva’s patch. Eva may be old, but she has not yet had her last word.

I had the pleasure of doing all the audio for the film, sound recording, mixing and music. The film was released november 6th 2015 in many theaters in Québec before the feature presentation Le Garagiste de Renée Beaulieu.

Click here for the trailor.